The Round-Up: A Venice Biennale Meltdown, the Prado Is Too Popular, and a $2.7M Speed Painting

Editor-in-chief Naomi Rea joins to talk about the art news of the month.

Gabrielle Goliath, Elegy at Verbo Performance Art Festival. Photo: James Macdonald. Francisco Goya Saturn Devouring His Son . Photo by: Universal History Archive/UIG via Getty images. Vanessa Horabuena performs as Haute Living. Photo by Romain Maurice/Getty Images for Haute Living

Here we are, already at the end of the first month of the new year. That means it’s time to do the first Art Angle Round-Up of 2026, where, as is custom, we’ll review some of the art news stories that people are talking about, and what they might tell us something about the forces shaping the year to come.

Today we’re going to be talking about three stories:

—The big controversy over the South Africa pavilion at the Venice Biennale, which Artnet News has had multiple pieces about.

—The Prado Museum in Madrid, which has a good problem: it has too many visitors. It also has a plan to deal with overcrowding.

—The mini-genre of “speed painting,” specifically the painter Vanessa Horabuena. She sold a painting of Jesus for almost $3 million dollars that she made in 10 minutes at a Mar-a-Lago fundraiser—a sign of the world out of control, though perhaps a slightly more fun one to talk about than some of the other things in the news. Or maybe not.

—Ben Davis

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