The Big Ideas Driving Art Paris This Year

The 28th edition of the fair is set to return to the Grand Palais with curated presentations taking focus on themes of language and reparation.

Philippine d'Otreppe, Boucan (2024). Courtesy of EDJI Gallery.

This April 9–12, 2026, the City of Lights will once again host Art Paris at the Grand Palais, this time with a focus on two themes that permeate contemporary art today: language and reparation.

Guest curator Loïc Le Gall has tackled the theme of language in the curated presentation “Babel – Art and Language in France,” which takes an incisive look at the French art scene, and the linguistic structures and systems that underpin French contemporary art. Comprised of 21 artists specially chosen from galleries participating in Art Paris, the themed visitor path offers an exploration through the rich, varied, and often enigmatic use of language and linguistic symbols.

A mixed-media painting of a large artichoke centered on a tall stem against a pale blue background. The artichoke is rendered in green with purple tips, with paint drips running downward. Surrounding it are loose, sketch-like drawings and handwritten notes, including small diagrams, arrows, and simple illustrations such as a fish and abstract shapes. The composition combines detailed botanical imagery with rough, conceptual annotations, giving it a scientific or exploratory feel. Presented at Art Paris 2026.

Fabrice Hyber, Artichoke (2021). Courtesy of Galerie Nathalie Obadia.

“Some artists explore the material nature of letters themselves, whereas others examine the tension that exists between text and images, or tackle themes such as translation, the ambiguity of signs, the many and varied alphabets and the way in which words circulate networks,” said Le Gall in a statement. “The ensemble proves that art is a laboratory where the forms of language are observed and analyzed, sometimes used in new contexts and often reinvented. Featuring creations that waver between figuration and abstraction, this themed visit is an invitation to rethink our relationship with words and symbols and the way in which, both individually and collectively, we construct and decode the reality of our surroundings.”

An abstract painting composed of bold, flat shapes in bright primary and secondary colors. A large circular form resembling a sunny-side-up egg—white with a yellow center—dominates the center. Surrounding it are blocks and curves of red, blue, green, black, and yellow, including a tall green “1”-like shape and rounded, overlapping forms. The composition is dynamic and graphic, with visible brush texture and a playful, modernist style. Presented at Art Paris 2026.

Sonia Delaunay, Projet de couverture pour l’album n°1 (1916). Courtesy of Galerie Berès.

Curated by Alexia Fabre, “Reparation” presents a nuanced dialogue around contemporary art from the perspective of reparation, and the diverse interpretations of the term across time, cultures, and individual voices. Featuring 20 international artists from across the fair, what emerges is a synthesis of both personal and collective storytelling and histories, tapping into the dichotomous nature of reparations: alluding to both war, suffering, and injustice, and conversely healing and restitution. Together, the term and its application are complicated, allowing for multifaceted understandings to coexist.

A realistic painting of a person lying stretched out on a rectangular rug in a sparse, softly lit room. The figure, dressed in a light-colored shirt and a long, pale skirt, reclines on their side with one arm bent over their head and the other extended outward. One leg is slightly raised while the other rests along the floor. The background is minimal, with a muted gray wall and floor, and a single shoe placed off to the side. The scene feels quiet and introspective, with gentle lighting and subdued tones.

Lara Bloy, Égarée 55 (2025). Courtesy of Galerie Pauline.

The two themes of the fair are highlighted against a backdrop of roughly 165 French and international gallery presentations. Through the fair’s tentpole sectors—including Promises, focusing on young galleries and emerging artists, Solo Show, featuring 24 monographic presentations, and the second-ever French Design Art Edition, showcasing design and contemporary decorative arts—visitors are offered a glimpse into the full breadth of contemporary art making today.

Art Paris will be held April 9–12, 2026, at the Grand Palais.

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